Tips for writers: He draws to the left so lean to the right

When Bob Hope goes out to a gunfight in Paleface, the townsfolk cowering in doorways all give him different advice about how to play it.
"He draws to the left so lean to the right."
"There's a wind from the east - better aim to the west."
"He crouches when he shoots so stand on your toes."
It's hilarious to watch him try and implement the various contortions as he walks down the street to face his doom.
Sometimes we get stories that sound as if they have been written by committee. Over-edited, they're herky-jerky and riddled with non sequiturs. The story has been shredded and stuck back together with sticky tape.

A long way from Willesden

Trailer

Virginia Gilbert's debut feature film as writer/director, A Long Way from Home starring James Fox, Natalie Dormer and Brenda Fricker opens at cinemas throughout the UK this December.

Virginia is a previous winner of the Willesden Herald short story competition. We reported recently on the launch of her novel Travelling Companion.

Link

Tips for writers: Hey Jude, don't make it bad

ENTRY AND EXIT

Hey Jude, don't make it bad,
Take a sad song and make it better...

The author was depressed. His brilliant short story called "Entry and Exit" had been summarily binned by the reader for the writing competition he had entered. Apparently they couldn't afford to pay for the right to use his epigraph from a song by The Beatles in their anthology of short-listed stories, and therefore there had been no point considering it. He paid the extra few pound to get the critique and they said it might have been okay if he hadn't interspersed every other paragraph with lines from Eleanor Rigby.

Tips for writers: "Oh and another thing," he stirred his tea

Wrong: "Oh and another thing," he stirred his tea. "Blah blah."
Better: "Oh and another thing." He stirred his tea. "Blah blah."

"He stirred his tea" is not a way of speaking.

Tips for writers: Had you not better had?

As somebody had already said that the word "had" had better not be overused as it had never to date proved necessary except on infrequent occasions, I had thought of not bothering with this tip till I had started this text and had gone this far already. The pluperfect is less than perfect when it infests most of the first page of many texts submitted. I had already come to this conclusion but had never moaned about it till now. In short, it drives me mad. Or it had, had I not always had the ability to escape by closing the page.

Tips for writers: What's not there

Sometimes you have to tell us that something is missing. The ice cream van is not outside the park gates. That's fine. Where it can go wrong is when the writer has an irresistible itch to turn it into a litany. There are no squirming children, no exasperated parents ... Stop! They're not there, remember? What you're doing is an example of unwanted authorial intrusion; you are revealing your prejudices and your specialist knowledge. I don't want to know, not right now. You had me at "the ice cream van is not outside the park gates". Most likely your narrator would not think that way. He or she would notice the absence and possibly think of something much more obscure, which might be related but probably not a social commentary. No?

Tips for writers: Disperse

If you're entering more than one story in a literary competition: don't enter them all at the same time. You are putting each successive story at a disadvantage because it's quite easy to recognise the same style when reading two stories in a row. If the reader didn't like the first one, it may start him or her on the wrong foot with the next one. On the other hand if the first one found favour, another might not be as strong and might reflect back on the previous one. So leave a few days or preferably weeks between them, so the reader has no idea they're related.

Voila

2014 prize mug

The priceless trophy has arrived from our secret, latter day Fabergé cup maker. The true, the one and only one-off 2014 prize.

Less than a month left to enter

I sent out a mailshot. Okay, it's not as "cool" as some of the mailshots in the past. It really only says "don't miss the deadline" and lists the prizes. Here's a copy of the mailshot. I'm looking forward to being transported by some great stories. I tried, somewhat impossibly, to describe what I look for in this: The Sense of a Short Story. You can read all about the previous years, judges, latest updates etc. here. If you want to see what the previous years' books look like, this is probably the best link. Thanks.

Steve